Nature poems of sarojini naidu golden

Would you weave your dim moan with the chantings of love at my feast? Go back to your grave, O my Dream, under forests of snow, Where a heart-riven child hid you once, seven eons ago. Who bade you arise from your darkness? I bid you depart! Profane not the shrines I have raised in the clefts of my heart. See the white river that flashes and scintillates, Curved like a tusk from the mouth of the city-gates.

From trellised balconies, languid and luminous Faces gleam, veiled in a splendour voluminous. Leisurely elephants wind through the winding lanes, Swinging their silver bells hung from their silver chains. Round the high Char Minar sounds of gay cavalcades Blend with the music of cymbals and serenades. Over the city bridge Night comes majestical, Borne like a queen to a sumptuous festival.

ONCE in the dream of a night I stood Lone in the light of a magical wood, Soul-deep in visions that poppy-like sprang; And spirits of Truth were the birds that sang, And spirits of Love were the stars that glowed, And spirits of Peace were the streams that flowed In that magical wood in the land of sleep. Lone in the light of that magical grove, I felt the stars of the spirits of Love Gather and gleam round my delicate youth, And I heard the song of the spirits of Truth; To quench my longing I bent me low By the streams of the spirits of Peace that flow In that magical wood in the land of sleep.

Rise, Mother, rise, regenerate from thy gloom, And, like a bride high-mated with the spheres, Beget new glories from thine ageless womb! The nations that in fettered darkness weep Crave thee to lead them where great mornings break. She began writing at the age of twelve. Inher first collection of poems named ' The Golden Threshold' was published.

The volume bore an introduction by Arthur Symons. Her poems were admired by prominent Indian politicians like Gopal Krishna Gokhale. Naidu's poem' In the Bazaars of Hyderabad' was published as a part of The Bird of time with her other poems inand in she was elected a fellow of the Royal society of literature. Her collected poems, all of which she wrote in English have been published under the titles ' The Sceptred Flute and The Feather of the Dawn Songs for music [ edit ].

Poems [ edit ]. Literary devices [ edit ]. Poetical ideologies [ edit ]. Literary identifications [ edit ]. Poetic form [ edit ]. Ties to decadence and orientalism [ edit ]. Sensuality regarding decadence [ edit ]. Critique of Naidu's use of the senses [ edit ]. Decadent aesthetic through rasa [ edit ]. What is rasa? Decadent aspects and origins for inspiration [ edit ].

Naidu as a nationalist author [ edit ]. Naidu as a translingual subject [ edit ]. References [ edit ].

Nature poems of sarojini naidu golden: "The Golden Threshold" by Sarojini Naidu

The Golden Threshold. John Lane Company. Economic and Political Weekly. ISSN The pigeons are dreaming of a home while they hover around the treetops. They fill their beaks with the slender and smooth twigs of banyan.

Nature poems of sarojini naidu golden: The Golden Threshold is an anthology

Their dream keeps them motivated to do this mundane work of collecting twigs. In contrast, the parrots do not even care for a home like the pigeons. The contentment of living at one place for the rest of their lives is suffocating. According to the poet, they only pause upon their flight directed by the sun, to plunder red figs of the garden.

Naidu compares and contrasts the conventional lifestyle with the life of a vagabond. Most of us work day and night for survival. There is also a distinct group who live just like the parrots. However, the poet does not glorify one over the other. She is of the view that we can find happiness in both courses of living. The poet compares herself to the parrots and describes how she is also on the way of finding spiritual fulfillment.

She pauses a while to take delight in the red-ripe-fig-like beauty of nature. The last stanza begins as the first stanza with a reference to the lord. Besides, it fosters the passion for freedom in the soul. In the cozy bosom of nature, birds make nests. They sing their melodious gratitude for the care and comfort mother nature provides. It is a reference to the almighty.

She implores God to grant a sanctuary and shelter to her soul. She compares her present mental state to that of a bird with a broken wing. It can be an allusion to the subjugation of India. At the time of writing this poem, she was traveling to different regions of India. Through this line, she is projecting her sense of longing for her home as well as nature.

This line can be interpreted differently by using the materials available in the text. As a bird cannot soar with a broken wing, the poet cannot get salvation with earthly emotions. Hence, she wishes for a spiritual resort in nature in order to be in everlasting bliss. The bulbuls are medium-sized songbirds, typically found in the Middle East, tropical Asia to Indonesia, Japan.

In this poem, Naidu probably refers to the red-whiskered bulbul or crested bulbul that is native to Asia. It is commonly found in hill forests and urban gardens. Oriole is an Old World family of passerine perching or singing birds. Naidu refers to a species of Oriole that is found in the Indian subcontinent and Central Asia.

Nature poems of sarojini naidu golden: The Bird of Time:

It is known as the Indian golden oriole. This bird lives in forests, garden orchards, and plantations. Honey birds are also known as Honeyguides. It can be found in Africa and Asia. These birds are known for interacting with humans. Some species of honey birds lead humans to bee colonies in order to eat grubs and beeswax left after the collection of honey.

The white-rumped shama, simply known as shama, is native to the vegetation of the Indian subcontinent and Southeast Asia. The melodious voice of the shamas makes them popular as cage birds.