Federico babina blue red and grey
July 09, May 03, January 04, November 01, Architecture is the scenography of real world. When I work on a series I see the single illustrations as pieces of a mosaic that represent a concept and an idea as a whole. They are elements of an overall jigsaw puzzle, none is fundamental and at the same time all of them as a whole are. The important thing is the overall composition that all pieces draw together.
In your illustrations and animations simple geometries combine to create arrangements that narrate, at a glance, stories that strike the eye, mind and hearth. As Bruno Munari used to say: to complicate is easy, to simplify is difficult. Simplicity is the hardest thing to achieve. To simplify you have to remove, and in order to remove you have to be aware of which things are superfluous.
One thing I always look for in my artwork is a storyline.
Federico babina blue red and grey: federico babina's cityscape captures
A tale that takes you inside a story, like a door that opens into a parallel universe and offers the viewers some elements and tools to continue their story. The power of illustration is to leave a degree of freedom for interpretation. I start to tell stories and the viewer then continues them and sometimes even completes them. Which are your main sources of inspiration in the world of art and illustration?
And which architects do you appreciate the most? Over the years I have immersed myself in and been nourished by the culture that was around me. There is not a single figure that I consider to be an inspiration. Many people inspired, helped, surprised and guided me. My sources range from the world of graphic design to art and architecture through comics and advertising.
I have many lovers but I am not married to any of them….
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Your work requires creativity and the ability to view reality from new and original perspectives. How do you keep your mind open and fresh to make space for new ideas? What are your sources of inspiration? Ideas are there just there waiting for us — as long as we know how to spot them. What I always look for is a generating element, a starting point from which to shape and sculpt an idea.
Sometimes the image pivots around this central element as if driven by a centrifugal force, but other times it takes different and surprising directions.
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There is no rule in my creative process, it can either be a slow and laborious process or a sudden and intuitive one. Looking for inspiration and ideas is a constant, everyday job. It is like walking towards a destination without really knowing how to get there. Sometimes you can easily find the way, and other times you get lost.
However, all that matters is that you want to get there. I try to look at things from different angles and perspectives. I experiment with flipping things over to interpret shapes without the constraints imposed by experience, trying to look at the world upside down. I strive to listen and observe, to activate all my senses and then filter the information and come up with a personal result.
Federico babina blue red and grey: Babina intended the pixellated portraits and
Architecture is often the leading character. I like discovering architecture hidden in parallel universes, and illustration helps me to explore alternative languages. Cancel reply. Comment Reblog Subscribe Subscribed. Sign me up. Already have a WordPress. Log in now. Loading Comments Living room. Bathroom design. Salvatori Total Look. About Salvatori.
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